
Tom of Finland (born Touko Laaksonen in Kaarina, Finland) was a fetish artist notable for his stylised homoerotic art and his influence on late twentieth century gay culture.
Over the course of four decades he produced some 3,500 illustrations, mostly featuring men with exaggerated primary and secondary sex traits: heavily muscled torsos, limbs, buttocks and improbably large penises. Tight or partially removed clothing showed off these traits, with penises often visible as distinct bulges in tight trousers or prominently displayed for the viewer. His drawings frequently feature two or more men either immediately preceding or during explicit sexual activity.


Laaksonen's work soon came to the attention of the gay community at large, and by 1973, he was both publishing erotic comic books and infiltrating the mainstream art world. He was best known for works that focused on homomasculine archetypes such as lumberjacks, motorcycle policemen, sailors, businessmen, bikers, and leathermen. His most prominent comic series are the Kake comics, which included these archetypal characters in abundance.

In 1979, Laaksonen founded the Tom of Finland Company to collect and distribute his work. This company exists to the present day, and has expanded into a non-profit foundation dedicated to collecting, preserving, and exhibiting homoerotic artwork.
Before his death, Laaksonen was the subject of the Finnish documentary Daddy and the Muscle Academy - The Art, Life, and Times of Tom of Finland which includes interviews with the artist. The European art publisher Taschen has published various collections of his work including three 'Retrospective' Anthologies and the complete Kake comics
Many of his drawings are based on photographs, but none are exact reproductions of them. The photographic inspiration is used, on the one hand, to create lifelike, almost moving images, with convincing and active postures and gestures whilst, on the other hand, Laaksonen exaggerates physical features and presents his ideal of masculine beauty and sexual allure, combining realism with fantasy.
Arguably Laaksonen's work revived and commercialised an underground leather counter-culture which emerged after World War 2 and reached its height in the late 1970s and early 1980s before the emergence of AIDS in the gay community.

The apparel, styling, and demeanour adopted by large numbers of gay men during that period appear to be derived directly from his work. Although the prevalence of this 'look' has declined since the mid-1980s - except in the leather and S&M scene - Laaksonen's work continues to be used extensively in gay publications, bars, clubs, and online communities who associate with its erotic subject matter. The combination of cap, leather jacket, and moustache became known in the pop culture of Western world as a visual stereotype of gay men.

Tom of Finland Foundation