Jack Robinson born 18 September 1928 (d. 1997)Jack Robinson was an American photographer famous for 1960s celebrity and fashion photography and documenting the New Orleans of the 1950s.
Jack Uther Robinson, Jr. was born in Meridian, Mississippi. He grew up in Clarksdale, Mississippi, in the heart of the Mississippi Delta, an area famous for racial injustice, the Blues, and social and religious conservatism. His father was a mechanic and auto parts dealer.
Robinson attended Clarksdale High School, from which he graduated in 1945. He then enrolled at Tulane University in New Orleans, where he completed five semesters before dropping out in 1948.
In 1951, he began his professional career in photography, working as a graphic artist for an advertising agency in New Orleans. He took numerous photographs of the city and his friends, many of them artists and photographers. His early work captured the charm of the French Quarter and documented New Orleans night life. It also preserved valuable glimpses into the New Orleans gay subculture of the 1950s.
Among Robinson's most fascinating images are photographs of the Mardi Gras festivities in the years between 1952 and 1955. Some of these document the celebrations in the gay area of Bourbon Street, especially around Dixie's Bar of Music, then one of the most prominent gay bars in the country.In addition to architectural photographs, society portraits, and Mardi Gras pictures, Robinson also took a number of photographs of young gay couples, romantically posed. These photographs are striking because of their rarity, and touching because of their sincerity. At a time when there were few precedents for posing gay couples, Robinson conveyed homoerotic attraction in a number of ways, including having the young men stare deeply into each other's eyes and touch tentatively. The very awkwardness of these embraces conveys a profound sense of commitment.
During the New Orleans period, Robinson fell in love with a young man named Gabriel, whom he photographed incessantly, often in the nude. The Gabriel photographs are especially distinguished by their play of light and shadow and by their sensuality.
In 1954, Robinson and Gabriel travelled to Mexico. There the artist captured Mexican scenes in large and medium format photographs.
In 1955 Robinson and Gabriel moved to New York where he quickly became noted for his fashion photography. He was sought out by many of the top designers and others in the fashion industry. By 1959, one of his photographs graced the cover of Life magazine, signalling his arrival as a top commercial photographer.
Carrie Donovan, then a fashion reporter for the New York Times, commissioned Robinson to shoot several fashion layouts in the early 1960s and continued to work with him when she became editor of Vogue in 1965. Robinson's work appeared in Vogue over 500 times between 1965 and 1972.
Vogue's legendary editor-in-chief Diana Vreeland recognised Robinson's particular gift for portraiture. In addition to commissioning fashion photography from him, she also commissioned portraits of celebrities, especially the rising stars of music, film, television, and literature.
By 1970, Robinson had established himself as one of the leading commercial photographers in the world. He travelled to Europe to record the fashion innovations of the great design houses. His work was regularly featured in the most prestigious fashion and celebrity magazines of the day.
Robinson's art documents the social changes that occurred in the 1960s and early 1970s as reflected by the new stars of the worlds of fashion, art, literature, film, the stage, and, especially, music. He photographed virtually every musician that we think of when we think Woodstock and the Summer of Love.Robinson documented the Nixon White House, the unbridled decadence of New York's club scene, and the unequalled elegance of Jacquelyn Kennedy in full formal regalia. In addition, he captured both the era's haute couture, as epitomised in the fashion of designers such as Emilio Pucci, Pierre Cardin, Yves St Laurent, and Bill Blass, and also the casual look that is perhaps even more representative of the time.
He also made particularly sensitive family portraits. His photographs of the wedding of Peter Allen and Liza Minnelli, with mother-of-the-bride Judy Garland, reveal a particular gift for family portraiture.
But even as Robinson succeeded professionally, his personal life became increasingly problematic. His relationship with Gabriel failed. He suffered from the stigma associated with homosexuality. He increasingly turned to drugs and alcohol for solace. Frequently in the company of Andy Warhol and his entourage, he became part of New York's frenetic club scene.Such fast living soon affected Robinson's work. His daybooks and list of commissions reflect the deterioration of his life. As jobs dwindled, he was forced to move from his fashionable studio at 11 East 10th Street. Finally, in December of 1972, he retreated to Memphis, where his parents and older brother lived.
Broken and addicted to alcohol, Robinson sought help from a long-time friend, who sponsored his membership in Alcoholics Anonymous and helped him recover his emotional health.
In Memphis, Robinson abandoned his career as a commercial photographer. He began painting and soon took a job as assistant to noted artist Dorothy Sturm, who designed stained glass windows for churches at Laukauff Studio, one of the largest stained glass studios in the country. Although he was undoubtedly lonely, and in the words of a friend 'full of anger and angst,' he seemed to enjoy his anonymity and seldom revealed that he had once been a leading photographer in New York City.
In 1976, Robinson left Laukauff Studio to work at another glass studio, Rainbow Studio, where he was to remain for the rest of his career.
Robinson fell ill in November 1997 and was soon diagnosed with cancer. He died on December 15, 1997.
Robinson left his estate to his employer, Dan Oppenheimer, owner of Rainbow Studio. Oppenheimer was surprised to discover in Robinson's small and spartan apartment over 140,000 negatives. In 2002, Oppenheimer opened the Jack Robinson Gallery and Archive in Memphis. It is dedicated to preserving and promoting Robinson's legacy.
Although Robinson soon slipped into obscurity, his work has recently been rediscovered, thanks to the efforts of the Robinson Gallery and Archive and to several recent exhibitions in Memphis, London, and New Orleans.
The Jack Robinson Archive