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George Clair Tooker, Jr. is one of Magic Realism's most prominent visual artists. He was raised by his Anglo/French-American father George Clair Tooker and English/Spanish-Cuban mother Angela Montejo Roura in Brooklyn Heights and Bellport, New York.
Tooker longed to go to art school rather than college, but ultimately abided by his parents wishes and majored in English literature at Harvard University, while still devoting much of his time to painting. In 1942, he graduated from college and then entered the Marine Corps but was discharged due to ill-health.
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Working within the then-revitalised tradition of egg tempera, Tooker addressed affecting issues of modern-day alienation with subtly eerie and often visually literal depictions of social withdrawal and isolation. Subway (1950; Whitney Museum of American Art, New York City) [pictured below] and Government Bureau (1956; Metropolitan Museum of Art) [pictured bottom] are two of his best-known paintings.
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Although he was raised in a religious (Episcopalian) family he later converted to Catholicism, after the death of his life partner, the artist William Christopher. He is a member of The American Academy of Arts and Letters and has lived in rural Vermont since the late-1950s, originally moving there with Christopher, where he continues to paint..
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